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Dear Mr. Gunn, Thank you…

I just finished reading Tim Gunn’s Fashion Bible. While I already knew 85% of the fashion history tidbits he so eloquently assembled into the least boring history book I’ve read in quite a while, it’s the effect I had upon looking at myself in the mirror that struck me the most.

First, I relished his attitudes about shape and size, namely; there is no such thing as ‘normal’, and everyone looks good in clothes that fit. When I was young, I had a great figure. Bearing children and middle age put me in a place of struggle physically. When you permanently outgrow your favorite things, it can be daunting to find new favorites that make you feel just as good. He made me realize it is worth the effort to find my new ‘favorites’.

Second, his discussion on jeans made me understand part of why I’ve been so unhappy in the job I’ve had for the last three years that I’ll be leaving soon. While in title, my job is customer oriented, in reality it is very much physical labor. I ruined three pairs of khaki pants before they relaxed the dress code to allow jeans. While thankful that I could wear jeans which would hold up to my job better, I realized being so dressed down conveyed a distinct lack of professionalism. It’s hard to get customers to take me seriously selling expensive products when I’m wearing the same thing as the high school kid who is just a cashier. It’s hard to feel like a professional when there is no distinction. My first boss in my department wore button downs or dress shirts far more often than he wore polos, now I understand why.

I, too, was raised in a very traditional household when it came to presenting ones self publicly, I can honestly say I don’t live in my yoga pants. In high school (pre-yoga pants era) I was horrified by my friends who put on sweat pants the second they got home, and worse, would leave the house in them for activities outside of sports.  If your clothes fit, then they should be comfortable enough to wear all day. I usually only change clothes mid-day if I’m doing a particularly messy task, like gardening or painting. It’s okay to go to the garden center covered in dirt and wearing a sun hat, but I wouldn’t stop at the grocery store on the way home dressed like that. Every time I see someone shopping in a store dressed in work out gear I think “are you counting this leisurely stroll as exercise?”. My inner voice is pretty snarky. I admit I’ve intentionally not brushed saw dust off of myself when heading to the big box home improvement store in order to dissuade the sales people from being condescending. As a matter of fact I do know what I need, I don’t need the third degree from you, dude. I’m the one who owned all the tools when we got married, not my husband. ( He’s handy, just wasn’t raised with the D.I.Y. Everything aesthetic I was). And when I’m there I mentally question the guys who wear shorts to work, unless they are outside in the gardening area. His book made me realize these judgement came from clothing choices.

I’d already decided to leave that job before I picked up the book, but I’m glad I read it when I did because now I’m working on my wardrobe for my new job. My new job is very casual in atmosphere too, but the labor is such that I can wear summer dresses or other comfortable clothes that are not jeans and tee shirts without fear of ruining them. I’m sure I’ll wear jeans to my new job when winter rolls around, but with boots and sweaters I’ve knit for myself, accessorized and dressed up. But now, while it’s hot? I’m sewing like a mad woman to look and feel like the pro I know I am. And I feel pretty, something I’ve never felt in my current job.

Last, he is fiercely in touch with the fact that the average American isn’t buying couture, we can’t afford that. While I’ve developed strong sewing skills over my lifetime I’m very aware that it is not cheaper to sew for oneself as opposed to buying off the rack. The difference is fit and having full control over color and fiber content. So for things like jeans and tee shirts, I absolutely buy them, at Walmart no less. But for dresses and other ‘serious’ clothes, I’m going to make for myself a whole lot more than I have in the last several years.

So, Dear Mr. Gunn: Thank you for renewing my love of clothing. Thank you for reminding me that I can look good in clothes at this size I’m just now getting used to. Thank you for having faith that we aren’t all living in yoga pants. And most of all, thank you for being a voice of reason and encouragement to every woman in America that they can be beautiful and comfortable at the same time.

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The physical work of making things

I love making things. I draw, I paint, I sew both by hand and with a machine, I knit, I crochet, I use power tools to carve stone and cut wood, I do fine finish work on both with chisels, files and sandpaper. All of these things require a lot of the soft tissues in my hands, wrists, elbows, and shoulders. After decades of hard use, these things are taking their toll. Getting old sucks. I had a physical therapist say to me “I haven’t seen an elbow this bad since that professional baseball player I treated”. I am forced to pace myself and have learned some stretches and exercises that help me be happy in my work as well as allow me to continue to make things with my hands. Most importantly, I’ve learned that making the work space favor me is vital.

  1. Warm Up. Just like an athlete, get the muscles you are going to be using warm before starting on the work. For big things like sanding, carving, and painting I do shoulder stretches, toe touches, neck rolls and my small hand warm ups. Sanding something five feet long requires your whole body, warm it all up. There are a bunch of stretches and warm ups for hands suitable for all kinds of small work warm up. I do these every time: http://www.weareknitters.com/blog/knitters-life/hand-exercises-for-knitters/
  2. Set up the work space for the most comfort, When I’m doing hand work like sewing or knitting, all I need is the couch, a light, and a foot stool (I’m short). If I’m drawing or painting pictures I sit at a large work table with an adjustable height stool. I use the same table when cutting sewing patterns, but I stand. If I’m painting large things, especially spray painting, I work outside with drop cloths. I have blocks of wood, old buckets, and bricks to pull things up off the ground, this reduces my need to bend over. I use my pebble filled socks and clamps to position the work so I don’t have to touch it while painting (which also contributes to a good paint job). For carving and power tool use I’m out in the back yard with a outdoor work table, saw horses, clamps, my pebble filled socks for bracing work, my sun hat, and closed toes shoes. Trying to work in a space not well suited for the mess at hand brings stress into the project before you even start that new-to-you technique. The only crafting I have ever done in my kitchen required the stove or toaster oven. I’ve worked on projects at the kitchen table, but it’s not great. Your average dining table is too low to work at standing, and too high to work at sitting. Make the space suit the work at hand instead of trying to force the project into the space. This might mean investing in an adjustable height stool, making risers for your kitchen table, or buying some ugly but really good work lights.  A sculptors stand is awesome if your are skilled enough to build one or have the funds to buy one, they are useful for far more than clay sculptors. http://www.utrechtart.com/Utrecht-Sculpture-Stand–European-Beechwood–Adjustable-Height-MP-35141-001-i1014778.utrecht?utm_source=google&utm_medium=cse&utm_term=35141-1001&country=US&currency=USD&gclid=Cj0KEQjwk-jGBRCbxoPLld_bp-IBEiQAgJaftUg8zqF3FeTqiX3MxEbQfwc9ftTkz0UGelfPYfDzkBgaAoUO8P8HAQ These little guys are magnificent for small table top work: http://www.dickblick.com/products/amaco-no-5-decorating-wheel/?clickTracking=true&wmcp=pla&wmcid=items&wmckw=30211-1005&gclid=Cj0KEQjwk-jGBRCbxoPLld_bp-IBEiQAgJaftcysELGT1FJK3WPBJIfiMQ-yd80txVsHoiozaDMhUyoaAm8P8P8HAQ And also: good light, good light, good light. While Ott lights are awesome, they aren’t always necessary, but getting light on the work is. A couple cheap adjustable task lights can make a huge difference in your work comfort.
  3. Position your body comfortably. This means good posture: sitting or standing up straight, shoulders down and back, head up. If you are working standing: bend from the hips, plant your feet wide, keep your knees slightly bent. Move frequently. Walk around the work or turn the work to yourself, don’t stick in one spot straining to reach or twisting and crouching. When working seated, the good posture guideline still applies. When I’m drawing or sewing, I adjust my chair so that I can get close to my work without hunching my back, which usually means placing it slightly above hip level and pushing back from the table. This way I’m leaning my whole upper body from my hips in towards the machine instead of hunching my back or craning my neck. When I’m sewing, knitting or crocheting, I find sitting up straight and bringing the work up to my sight line is best. It’s tiring to the arms, but not painful unless you work past your limits. I know knitters and crocheters talented enough to sit up straight and work with their arms relaxed and their hands in their lap because they don’t have to look at what they are doing, but I’m not one of them. I even know one who is so skilled and coordinated she knits socks on her daily exercise walk around her neighborhood. This is Michael Jordan level body awareness and talent folks!
  4. Know your limits. When applicable, build strength to extend those limits. As previously mentioned, I’ve worn out a lot of soft tissues in my body, the worst damage resides in my elbows. When I start to get the pins-and-needles feeling in my pinkie, I know it’s time to stop, stretch, shake it out, and relax a bit. If I don’t, I’ll soon have a sharp stabbing pain in my elbow that ibuprofen only slightly lessens but does not alleviate completely. I find the vibration of power tools difficult to deal with. I have some shock absorbing gloves I wear, but even then I can rarely work for even an hour at a stretch. I take ibuprofen ahead of heavy work to allow me to work longer. Talk to your doctor about using even over the counter drugs like this. For me, this is a carefully monitored quantity approved by my doctor, a limited number of times per week. I do exercises with small weights to build strength in my hands and arms that has helped reduce my need for therapy and drugs. I also have taken yoga, which has taught me how to really relax my body as well. All these things combine to allow me to keep making art. I cannot slack though, I must exercise and stretch to stay in ‘maker’ shape. That said, I also know makers who never learned how to listen to their own bodies. They worked so much that they did serious damage to the point where the pain is constant and cannot be stopped without surgery. This is often compounded by depression as the inability to make when the desire is strong, is heart-breaking.
  5. Allow yourself to recover. Our swimming pool got really green. The weather snuck up on us this year and I didn’t get out there soon enough to keep it from turning into a scary swap in a time frame that felt like over night. Oh well, I’ve got a lot of scrubbing in the next week. That said, the little bit I did Saturday afternoon and Sunday afternoon is still with me on Tuesday. I’m pacing myself, but it’s hard work. I’ve got the chemicals in and the scrubbing will be just as effective if it’s done a section at a time or all in one day. It won’t harm to pool to spread out the work. It will hurt me if I try to do it all in one day. Today I’m going to go vacuum the gunge I scrubbed off over the weekend. Tomorrow I’ll scrub new sections. This recovery time is critical to my general well being.

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Hand washing: not a lost art

So, several years ago I wrote up these instructions on cosplay.com and sort of forgot/ lost them. Someone else dug them up because it’s perpetually a pertinent question and I was reminded of my original text. So, for posteritys’ sake, here’s the low down on hand washing.

 

HOW TO HAND WASH GARMENTS:
– choose a washing basin appropriate to the size of your costume: a bit of room to move is best. A large kitchen bowl or sink is fine for most pants or skirts, a bathtub is necessary for ballgowns.

– make sure the basin you are using is clean. it doesn’t have to sparkle but be sure it is free of other soap/ detergent, dirt, or food particles if you use the kitchen sink.

– cold or at least tepid water. I live where it’s really hot, in the summer the water out of the tap is probably about 83 degrees, this is fine. anything cooler than body temperature will not do harm.

– put your detergent in the water and swish it around. Detergent specifically for delicate garments is best, Woolite is the old stand by.

– unfold or spread out the garment, place it in the water as un-mushed-up as possible. Push it down to squeeze out air pockets so the garment is fully immersed.

– Let the garment soak. How long depends on how dirty it is. 30 minutes is usually sufficient to remove sweat and ambient smells like smoke and food. I set a timer, otherwise I forget and wind up rushing through the next steps at bed time because the children need a bath.
= this is where you learn how colorfast your garment is. you will see the color in the water if it’s bleeding. shorten your soak if that is the case.

– after the soak, I go in and carefully inspect the areas most likely or known to have accumulated dirt: hems, cuffs, front center of the chest. I scrub the fabric against itself or use a soft scrub brush (like a nail brush) and more detergent to work these spots. rinse in the soak water and repeat as necessary.
= this is where working in a large basin in the kitchen is more pleasant, sitting on your knees in the bathroom is. not. fun.

– if you are satisfied with the cleanliness, drain your basin and rinse your garment in clear running water. squeeze but do not wring to get the soap out. Some fabrics hold a lot of water and therefore soap, be patient, just keep squeezing til no more bubbles are produced.

– if you drain the basin and it still seems grungy, repeat with a fresh basin of water and soap, letting it soak longer if possible.

– stretchy (spandex, lycra, etc) and knitted/ crocheted/ lace garments should be dried laid on a flat surface. hanging a wet leotard is a good way to stretch it permanently out of shape. Spread a couple bath towels out on a large flat surface (dining room tables are a popular choice) and spread out the garment. don’t fold it over itself, if possible. Lay arms and legs smooth, not wrinkled or twisted.
= [credit to Nathan Carter for the following. I do this but didn’t write it in my original post] After squeezing (not wringing) most of the water out of your garment, lay it out on your biggest colorfast beach towel or bath towel. Roll it up like a jelly roll, and squeeze it (don’t wring it). Sit on it, kneel on it. Then unroll it, block it out to dry on a flat surface or drying rack, and smooth out any wrinkles introduced by the squeezing.
I wouldn’t do this on any garment with a lot of built-in structure that will be crushed out of shape by the squeezing. But on things like sweaters and bodysuits it works well.
-non-stretch materials can be hung to dry. An old wire hangar bent into an oval (or other circular light weight item like a beach ball) can be propped inside the layers of a skirt at about the waist or hips to help speed the drying process for bulky garments like ballgowns by spreading out the fabrics and allowing better air circulation.

– always give yourself at least 24 hours between washing and packing it for travel or putting it away for the next time you wear it. mildew is nasty and does permanent damage to fabric and can happen amazingly fast if even a slightly damp item is packed tightly out of sight. Some fibers hold moisture better than others. I have a hand knit cotton sweater. it takes about 3 days to dry in the AC cooled house.

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Shepherds, Angels and Wise Men…oh my! Church Costuming for the uninitiated.

It’s almost that time of year. When the Four-Year-Olds Sunday School class is asked to all dress as little sheep and the middle school girls are trying to be as pious as possible in order to be cast as Mary. The middle school boys are all slinking to the back praying to be just Shepherds instead of Kings or, worst of all, Joseph. When the pastor is eyeballing all the newborns to see if this year there is a good candidate for a live Baby Jesus. And everyone else gets to be an angel.

It can be a ton of fun or an abject disaster.

I’ve costumed numerous Nativity pageants, in my own church, in friends churches, as well as a professional costumer through a rental company and as commission work. I’ve learned quite a bit about making costumes that last and can be used on different people from year to year. These never go out of print: http://www.simplicity.com/simplicity-pattern-2976-boys-girls-easter-costumes/2976.html#start=2  http://www.simplicity.com/simplicity-pattern-4213-adult-costumes/4213.html#start=3  http://www.simplicity.com/simplicity-pattern-4795-misses-mens-teens-costumes/4795.html#start=5  No need to reinvent the wheel, they are good-enough patterns, use them. There’s a good chance someone in your church already has a set in their stash. If you are making more than one set from scratch “stack and whack” is a great system. Stack as many layers as you can cut at one time. Thus instead of cutting out one robe, you’ve cut three or four.

Lesson One: Make everything machine wash and dry.

Acetate lining fabric is tempting; it’s shiny, it’s cheap, and it comes in tons of colors. It also frays like mad and melts in the dryer when accidentally placed there by a well meaning volunteer. Stick with polyester cotton broadcloth for all of the basic angel and shepherd robes.

Lesson Two: don’t make sized costumes, especially for animal suits.

It’s sweet that grandma made and donated that sheep suit from this pattern: http://www.simplicity.com/simplicity-pattern-2855-child-boy-girl-animal-costumes/2855.html#start=18  But you know what? the chances of some other little kid fitting into it next year are slim at best. And it’s hot. These are far superior for churches: http://www.simplicity.com/simplicity-pattern-1514-childs-and-18-doll-animal-hats/1514.html#start=12 All the classic stable animals can be made including donkeys and camels when done in the right colors. Paired with sweatshirts and leggings it works, the kids are comfortable and the costume parts get used every year. And they take up less room in the closet in between pageant seasons.

For the robed characters like shepherds and angels, go big. Make everything XL Tall. You can belt the skinny guys and hem long robes for shorter players, but starting with big robes gives you the most options for the most people. If your church is large, say more than twenty costumed persons, you can break down the sizes some, say a 50/50 split of Large and XL.

Lesson Three: have a little more than you need.

The three wise men actually need about five or six robes to choose from. In many churches these same robes double as Pontius Pilot and the caliphates at Easter, variety is good. Same simple pattern as the shepherds and angels, just fancier fabrics. Maybe a brocade or a flashy stripe. Otherwise the same three guys get stuck being the wise men every year. Good headgear is also a nice way to differentiate a wise man from a shepherd  from Roman officials a few months later. A recycled Shriner fez (with the name taken off and plastic gems added), a purchased turban (along these lines works nicely, add some jewelry: https://jet.com/product/detail/b32ee91d68bc4b399788507c30805f62?jcmp=pla:ggl:a_nj_dur_gen_apparel_accessories_a3_b1:apparel_accessories_costumes_accessories_costume_accessories_a3_other:na:PLA_632964874_26556211257_pla-161702664060:na:na:na:2&code=PLA15&gclid=CKGxgeq4qNACFVIngQodmacI3Q&gclsrc=ds )  and a fancy keffiyeh make them stand out appropriately from the crowd of shepherds and angels. For the Easter Passion Romans of course the laurel wreaths and the caliph head pieces are very unique and should never double as your Kings headgear.

“Today, a majority of the Arab men wear keffiyeh, also called shemagh. It is basically a traditional square cotton scarf which is placed on the head and secured with an igal. Different tribes, countries and even neighborhoods have their own traditional colors for the keffiyeh.” – Arab News

Lesson Four: Basic robes, fancy shawls and drapes.

If you need 12 shepherds robes, do four each of plain solid colors, maybe a beige, a soft green, and a mustard yellow. Avoid going too dark on any of your basic robe colors, no forest greens or chocolate browns. Then make the draped sashes or over vests from broad stripes or heavily textured fabrics. This is what catches the eye and conveys the idea of ‘biblical shepherd’ to your audience. For younger children as shepherds, doing the simple open vest instead of the drape is easier for them to wear. This reduces fidgeting mid-service.

Get some loosely woven fabrics, cut into one yard+ squares, and get a group of girls to spend the time fraying the edges to make fringed shawls. Having [half or] a dozen un-assigned any-character shawls is always useful. They can be shepherd headgear one year, ladies wraps the next, and baby Jesus swaddling the following year.

Oh, on the belts? Spend the money on good cotton decorative rope from the upholstery section. Get a couple Boy Scouts to put pretty knots in the ends so they don’t fray. And don’t scrimp on length! Kids belts should be two yards long, adult belts three and four yards long! A man in a common 34 waist pants can’t even tie a one-yard robe belt around his waist!

Lesson Five: Angel wings.

I personally an not a fan of ready made wings like these: http://www.orientaltrading.com/kidsand-white-angel-wings-and-halo-headband-a2-25_286.fltr?prodCatId=553125  For one they look more butterfly  than angelic, but also they tend to be floppy and get bent out of shape way too easily.

If your church has a big budget for real feather angel wings, cool, but don’t waste that money by storing them improperly. Bag them in dry cleaners bags and hang them in a temperature controlled closet. Don’t stack them on the floor, don’t put them in a box in the attic, and definitely don’t leave them in an outdoor shed. It’s cheaper and easier to replace a stretched out elastic loop than the whole set of wings.

Speaking of elastic: don’t. ribbon ties hold better and last longer than elastic loops, plus they adjust to different sized wearers easiest.

For folks who don’t have that kind of budget there are still a lot of options. Some of the prettiest angels I’ve seen used a white fabric cape and gold glitter tee shirt paint; the wings were drawn on the cape in great detail and the kids loved wearing them. Another option that is budget friendly is foam core.  http://actionagogo.com/2014/10/22/cosplay-wings-tutorial/

Last Lesson: feet & shoes.

You know what most shepherds wore on their feet in biblical times? nothing! Shepherds were generally pretty poor, shoes were a luxury. Nothing ruins the appearance of your Joseph faster than a pair of Nikes. A lot of people feel weird going barefoot in church, but it’s less out of place in a nativity performance than cowboy boots on your kings and sneakers on your shepherds. A lot of people wear sandals, but a pair of running Tevas is almost as bad as wearing Reeboks. One of the best shoe options for the barefoot phobic types is mens bedroom slippers. The less-than-ten-bucks-at-Walmart kind: https://www.walmart.com/ip/Dearfoams-Men-s-Cord-Moccasin-Slippers/13325888  plus they are quiet, no hard soles to clonk and make excessive noise.

A fun little tidbit: Why do we always dress Mary in blue?

Because it has long been recorded that St. Luke painted a portrait of Mary, and in it she was wearing blue. This portrait hung in the Vatican for centuries, DaVinci and Michaelangelo used it as a reference when they did their depictions of Mary. Being on public display, it did not survive, but similar era works closed up in tombs have survived to give us insight to the amount of detail and realism of the time. Some can be seen here: https://allthingsencaustic.com/introduction-encaustic/

Good luck and Merry Christmas!

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The Perils of Dyeing

Dyeing fabric or garments is a magical blend of art and science. The science end is painfully precise, which is why it becomes more or less a craps shoot for most amateur dyers.

This post was written with a fair amount of input from the lovely LeAnn Ross of Forbidden Woolery fine hand dyed yarns and LaDonna April of Fairy Tale Knits. They didn’t ask for the plug, I felt it only fair to share their gorgeous products for allowing me to pick their brains. http://forbidden-woolery.myshopify.com/  https://www.facebook.com/FairyTaleKnits

So you’ve got a character or costume you want to make that needs to be a specific color or color blend, and dyeing the fabric seems to be the only way to get it. Lets break down the phases to achieve success. If you were to write out the dye process like an algebraic equation it would look something like this:

fiber to be dyed + weight of fiber + volume of fiber + dye – volume of liquid + temperature + time = dyed fiber

That’s a LOT of variables. The more you can fix while tinkering with as few at a time as possible, the better.

Before we even get into the dyeing itself I need to say this:

VERY IMPORTANT!! Most dyes are NOT food safe! do not evereverever use your favorite spaghetti pot to dye up some fabric!! Aluminum in particular can hold on to the nastier elements in dye and impart them to your food no matter how hard you scrub. Many dyes are made from heavy metals and other pure elements that chemically bond with other things, like your digestive tissues, which over time can cause serious health problems. Go to a thrift store or buy something cheap and declare it your dye pot, label it, and do not store it in your kitchen for someone else to mistakenly use for food. No cancer, m’kay? [Yes, I know there are lots of natural dyes out there. Those are generally are not available in tidy packages for home use. Those are “start with four pounds of purple cabbage…” type recipes. This post is focused on a person who needs to get a pair of pants a specific shade of orange and will be using boxed or bottled commercial dyes to get it.]

THE MATH & PLANNING PHASE

Step 1. matching fiber and dye.

Not completing the homework on this step leads to 60% of dye failures. What fiber is your fabric or garment? Cotton, linen & ramie (plant based fibers) take reactive dye;  wools, polyesters & silk (animal based fibers) take acidic dye.  Remember middle school science with the baking soda and vinegar volcano? This is where that lesson comes into focus. The natural chemical composition of different wearable fibers makes a difference in what kind of dyes are effective with it. Most natural fibers require an initial soak in a soda ash bath before dyeing (depending on your specific dye). If you find a garment you like and want to dye it, be sure it has a label with precise fiber content. Lately manufacturers outside the US have gotten away with going around the US law that states all garments must have a fiber content label by labeling it “uniform cloth”. This is not a fiber, it’s a purpose, and essentially means they have no idea. Steer clear of anything labeled this way. Single fiber fabrics will always be easiest to dye. Combination fibers (like 50/50 cotton polyester blends) will be the most challenging.

What dye are you using? RIT gets a bad rap, it’s cheap, it’s available everywhere, it didn’t work on that one project that one time… but frankly, most dye failures are a mismatch of the wrong dye for the fiber, volume, and liquid quantity. RIT is a reactive dye, it only works well on plant based fibers. It actually works really well when the instructions are followed carefully. Read the label. Read. The. Label. Use the right dye for your fiber. Dylon, Tulip, Deco, Jacquard are all out there commonly available too, some are better than others, all have use instructions. Follow them precisely.

Step 2. weight and fiber volume.

More science. In that big number of variables listed above, weight and density of the fiber being dyed is usually the first ‘fixed’ number in the equation. You need to do enough yardage for a whole dress, or maybe it’s a pair of pants. This is a non-negotiable number, be as precise as you can and measure in grams if possible. Food scales and postage scales are often the best bet for commonly available scales if you are going to do a lot of dyeing and want to invest in one for yourself. Otherwise a trip to your local pack & ship type place can usually get you a one time use of their metered scale. Don’t try the USPS, post offices are too busy for the explanation that goes with that request.

The dye package label will usually list how much water and how much weight of fiber it will be effective on, it’s up to you to do the math and multiply if your fiber exceeds that listed quantity. You can’t fit ten yards of broadcloth into a one gallon pot and it’s going to weigh more than one pound. You can ‘dry fit’ your fabric into various containers before the dyeing process begins to get an idea of what the project is going to take. It will need room to move around easily when wet with enough ‘splash’ zone to not dye your kitchen or laundry room too. I’ve dyed fabric in my washing machine numerous times. I’ve dyed in plastic garbage cans in the back yard. I’ve dyed in pots on my stove. Room to stir around that fabric is very important to avoiding dark & light spots in your fabric. LeAnn has a garage full of church supper sized slow cookers. Which brings us to…

Step 3. liquid volume.

Ninety percent of the time, this is water. I’ve come across techniques and recipes that use some, half, or even mostly vinegar or other acidic liquids (citric acid is common), but water is still the biggest liquid component in most dye jobs. Depending on where you live purified or filtered water might be worth buying instead of tap water. I have very hard but otherwise pretty pure tap water, I adjust to accommodate that and save money by not buying filtered water. The exact same technique, fabric, dye and temperature can yield different results based solely on the water used. Dyeing can be that finicky.

Step 4. temperature.

Most dyeing involves heat. Depending on the fiber, not particularly dangerous heat, sort of ‘nice hot shower’ (110-120) kind of temperatures are enough if the fiber has more time to soak it up. It’s a bit of a sliding scale. Typically tie dyed tee shirts like kids do at summer camp are done ‘cold’ which is actually just room temperature. Outside on a summer day in the sun of south Texas, the dyes might actually be 110 degrees in their plastic bottles. Warm, but not hot enough to harm bare hands. Some fibers, the hotter the dye bath, the better. Cotton takes dye far better at just under a boil. So the same tee shirt, when dipped in a pot on the stove, will absorb the color faster than the ‘cold’ process in the sun of the back yard, which needs a couple hours to set.

Step 5. time.

This is another easily controlled variable, and it’s a lot longer than most realize. If I’m dyeing, I dedicate the whole day to it, with interruptable projects overlapped for the in-between-poking-the-pot time. I use a kitchen timer. It’s more about not forgetting that you’ve got dye going than it is about hovering over the pot. Start with the manufacturers recommendation, checking at the 3/4 elapsed time mark then adjust from there. Dyeing is not like making a delicate Bechamel sauce or candy. You aren’t watching vigilantly for a certain thing to suddenly happen which must then be acted on immediately. Ever put pasta on the stove then forgot you were cooking? yeah, that… I’ve learned that leaving the fabric in the dye pot until the liquid reaches room temperature after it’s heating period is sorta no big deal. And it makes handling the wet fabric tons easier.

THE DOING PHASE

This is where all the planning comes together!

Stuff usually needed: item to be dyed, dye, liquids to go with dye (water, vinegar), container to dye in [remember to label them as not for food use!], heat source (usually), stir stick or maybe tongs [remember to label them as not for food use!], grungy towel for spills, gloves [because green hands get you weird looks], kitchen timer. Some dyes benefit from the addition of soda ash or salt. Salt of course it’s okay to use your kitchen utensils for measuring, but soda ash is not, have a separate measuring cup for that.

Step 1. wash your fabric.

Even brand new, fabrics pick up all kinds of stuff and new fabrics have sizing and leftover processing chemicals in them. Wash with the gentlest detergent and don’t use dryer sheets. If it’s an existing garment, this will give you one last shot at inspection for stains which may affect the dye.

Step 2. set up your area.

Chefs call this mies en place, which is an elegant French term for ‘pull out everything going in this dish and have it measured out in little bowls on the counter’. Dyeing absolutely benefits by this system. Get everything measured and sorted before turning the heat on. I put waxed paper down on my counters as an assist to cleaning up afterwords. Don’t forget the timer, I set it to my first check reminder time before I start, then I hit the count down button after I’ve immersed my fabric.

Step 3. set the dye bath.

The fabric is going in for a nice long soak, get your dye and any additives fully mixed before adding the fabric.  Is it a natural fiber? you probably have an added step here of putting it in a soda ash bath. This doesn’t have to be long, 5-10 minutes usually. Pull your fabric out of the dryer / soda ash bath and shake it out or wring it out, don’t put it into the dye bath twisted or folded (unless you are intentionally going for a mottled look). Remember that planning phase about dry fitting the container? there shouldn’t be any “hey this doesn’t fit…”.

Step 4. be patient, but not forgetful.

I have to set my timer for 30 minute increments to remember to go stir. As I often use my washing machine (I can dye six yards of fabric in a single batch in it) it’s pretty much ‘out of sight, out of mind’. Things done on my stove top aren’t as easy to forget.

Step 5. testing.

This is where doubt sets in. It’s hard to tell looking at a soaking wet corner of fabric if the rinsed and dried fabric will be the color saturation you want. It’s why I try to add swatches. A swatch is a scrap or strip of the same fabric in a piece marked with something like a safety pin or a plastic clip that you can find in your dye bath. I try to make most of my swatches a 6″ square. Pull out this piece, wring it out, use a blow dryer on it for a quick drying to see if you have reached the color you want. And in my case, it gives me something to take outside into full sunlight to check color instead of the dim light of my laundry room or fluorescent light of my kitchen. The two to three minutes out of the dye bath and getting dried aren’t going to affect the swatch vs. the fabric staying in the dye bath too terribly much. If your swatch is right, pull it off the heat and let cool enough to handle.

If working with an existing garment, the wringing and drying should be a cuff or hem line area of less notice. Obviously all your looking tests will take place over the pot or washer, snug that grungy towel up under your arms on the front of the washer or on the top edge of the pot. This reduces mess and burns.

Is the dye fully engaged? you can tell if all the dye that could possibly incorporate into the fabric has done so by how clear the water has become. Looking in the pot you’ll see the dye color, but scoop some liquid out in a glass container and hold it to the light and the lack of dye becomes evident. If your water goes almost completely clear, the bath is done, no more can get into the fabric than is already there.

Step 6. evaluating.

You’re done! you dyed it, wrung it out, hung it up to dry and have color! yay! Is it the color you wanted? is it deep enough saturation? things get trickier here as color shifting is a college level course, but if you were going for magenta but only got bubble gum, that fabric can go right back into a new dye bath for a second round. Really rich black, the kind traditionally produced by the Amish, is achieved by the fabric going through several different dye baths with different color bases, a brown, a grey and a blue. The end result is gorgeous, but it’s also a lot of work.

COMMON ISSUES:                                                                                                           REASONS WHY:

significantly lighter color than intended……………………………………………. Math failure (too much fabric to dye ratio) or too short a soak time

mottled fabric ……………………………………………………………………………… New fabric: didn’t stir enough or too small a pot. Existing garment: previously unseen stains or stain remover products used

white thread on dyed garment ……………………………………………………….. The thread is polyester when the rest of the garment is cotton/ natural. Dye only adhered to the natural fiber.

color shifted (intent was red, got purple) …………………………………………. The base fabric was not pure white or  not enough saturation in the dye.

………………………………………………………………………………………………….. Not having a clean dye pot.

significantly darker color than intended ……………………………………………. soaked too long or purchased too dark a color dye.

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The Research Conundrum

I’ve come across this quite a bit recently, and I want to express that research is good, but experimentation is mandatory.

I’ll elaborate. I give a lot of advice on sewing and building costumes and props and so forth, both in person and various internet forums. I’m old, I’ve probably built/ sewn/ handled one of those before and have a good memory for such stuff. I’ve experimented and succeeded with a lot of materials and techniques. Because I’m old, I didn’t have videos on the internet where I could watch someone else do the thing. I had mom, dad, high school and college instructors, and PBS (Sewing With Nancy is still on the air BTW). And the library, always the library. In my generation, we knew we had to practice the thing to make it a good one. In wood shop the teacher cut out the gorgeous scrolled wood in a demonstration, but we could see the bucket of scraps, broken pieces and badly cut versions right there next to the table. I saw my mom use her seam ripper. I watched dad measure twice and cut once. Practice and trial runs were an inherent part of the doing process.

The thing is, we have so many more resources available to us, that the number of techniques and materials for any given project has multiplied exponentially. So the new sewist watches six different videos on installing a zipper and is more confused than ever because they don’t know which one to use. This is where experimenting comes in. I don’t know how many times I’ve seen posts where the questioner is essentially saying “which of these is the right way?” and we befuddle them further with the answer “whichever one works for you”. But that’s the honest answer, the ‘right’ technique is the one you can do to a level you find satisfactory.  Finding the right technique means trying, and failing, a bunch. But then you hit on something that makes sense to you, so you do it a couple more times and hey! that’s looking pretty good!

I’ve advised people on processes, they ignored my advice and spent more money and produced a heavier prop than if they had followed my advice, but they were happy with their result. So was their technique ‘right’? For them: yes. It’s the method they understood and could perform well, which made them happy with their result. and in the end, being happy is what really matters.

Ah, there’s the rub: happy. All too often I see people miserable and frustrated, mostly because of a lack of practice. They fell for the inadvertent lie and started their project full scale or in fine fabric and are in tears because the first time they did it it was an abject failure. They didn’t know or listen to the ‘practice first’ advice, and have now lost time and money in quantity. The biggest problem I see in this situation is the maker not realizing they need to practice. They failed once and assume that there must be some other technique that will be better, that will be perfect the first time. All I can say is “there there, try again”. I’m truly sorry you had a catastrophe. And it might not be the unrecoverable failure that you think it is at this moment. That might even be the perfect technique for you and that specific project, but you won’t know unless you keep trying.

 

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Pokemon Go vs. fitness apps in general

Like many middle aged Americans, I’m heavier than I’d like to be. Over the last year and a half, I’ve managed to get my caloric intake under control and significantly balanced my nutrition using My Fitness Pal. It’s handy, I’m more than halfway to my goal weight/ size. But this app has never motivated me to exercise, sometimes I’ve even been frustrated by it’s lack of options in Activities That Cause Me To Break A Sweat on the occasions where I think about logging activities instead of just food & weigh ins. No, I don’t use Premium, I’m capable of mentally tuning out the ads and nothing Premium advertises is anything I want. I tried several other exercise based apps, some were better than others, but again, none inspired me to put on my sneakers and go. Sure they told me how far I’d gone, whoop de do, so does the odometer on my car. I have friends who post to FaceBook with these kinds of apps and I don’t care, it does nothing for me. They sent me emails with pictures of skinny people running with lengthy lectures on Knee Health for Runners! I’m NOT a runner, never will be. The genetics I was given mean issues with my feet where running is just flat not an option, too much impact and I’m hobbling around for days. I don’t do jumpy things either. I’ll walk, I’ll climb, I’ll crunch, I’ll pedal and row and lift, but not jump and not run. I have access to a wonderful gym, with trainers, only a 15 minute drive from my home, but the motivation to go is sorely lacking. The inherent flaw in most fitness apps is they are written by and for people who already possess the internal motivation to exercise. If one lacks motivation to start, the app is completely useless. Same goes for diet plans, the vast majority of humans have the internal motivation to eat, but we don’t all have the motivation to moderate our eating or balance our nutritional intake.

Enter Pokemon Go…

I’m a dork enough to admit I used to watch the Pokemon cartoon quite a bit, as an adult. (we didn’t have cable, so sue me…) I never played the card based game, it required a social circle also interested in that, which I lacked, and I’m just not that competitive. Scrabble is more my speed. At first I had no interest in this latest phone based game, I’m well past playing Pokemon games, right? But then some of my mom friends got roped into playing by their children. One, lets call her Celeste, is pretty heavy, like probably tipping the scales at double what her doctor would like to see her weighing in at. She has more than two children. She, because she’s a Fun Mom, loaded the app to play along with her kids and they went Pokemon hunting. And she had fun. She didn’t just see her kids having fun and was happy, she herself enjoyed it. She had no idea what she was doing other than running around with her kids and collecting random cartoony things and spending time with her children but she was out walking for two solid hours. When she told me about it she said her feet hurt, but she didn’t even mention it in terms of exercise, she was aware she had done so, but was preoccupied with the game enough that the exercise just went along with it. Pokemon got this very overweight woman out the door where every single app, diet program, fad soup and more failed. And she has tried them all, I’ve heard at length over our yarn and coffee just how perfect this next program was going to be for her and all the excuses as to why the last one failed. It boils down to just one thing: they weren’t fun.

Pokemon Go, is fun. Just the “what funny thing will surprise me today?” has gotten me into my sneakers and out the door three days in a row. I’ll be in my parents neighborhood this evening and just the idea of “oooh! I wonder what I’ll find near them?” makes me plan ahead to wearing sneakers even though I already walked my own block this morning. I don’t care about teams, or competing, or any of the other really Pokemon specific aspects of this, just knowing there is a surprise out there waiting for me is all I need, because I am a curious soul and want to go find it.

So, fitness app makers take note: none of you are creating motivation to exercise because you see exercise as fun. Those of us who don’t exercise because it’s not fun, it never was fun, get zero motivation from you. We wore glasses so didn’t play football as kids. We had big boobs by sixth grade so all running and jumping things were embarrassing, difficult, and painful. We were uncoordinated awkward kids who were picked last with groans because we offered nothing to the team. We don’t follow sports because that kind of competition never interested us. We need external motivation. We need simple activities with something other than the exercise itself to motivate and even reward us.

Silly prizes, pop up ‘friends’ or landmarks or almost anything not related to the fact that exercise is getting you that virtual thing. Maybe random cheers and applause? If Map My Run cheered for me at every mile, I’d probably still be using it. Surprise landmarks with random interesting facts “hey! you just walked the length of the Champs Elysees! (insert random facts about Paris)”.  I’d not only enjoy using that, it would motivate me to go to find out what I’d discover today. I might even pay to use it (if it was under $5). Apps could inspire exploration or distance or even upgrade from walking to running or even adding things like push ups, sit ups & more. It could ding and say “hey! do ten push ups right now for five coins!” or whatever, I’d brainstorming here. I have zero talent in things electronic, so I freely give my ideas, because I’d love someone to make that. For now, I’ll keep hunting Pokemon despite the server issues and not caring about teams, because I’m having fun finding things. I’m having FUN! And getting exercise at the same time.

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